Baroque on the outside, rock underneath
Real violins, cellos and oboes, played over synthesiser, bass guitar and a full drum kit. Classical purists hated it. Everyone else hummed it.
Venice, 1980. Transmission received.
Powdered wigs. Silver masks. Synths, bass and drums. Cartoon robots saving Venice from the sea. It should never have worked. It sold millions.
Part one
Picture Britain in 1983. Synth pop rules the charts. Then a chamber orchestra turns up on daytime TV dressed for a 1700s ball.
Real violins, cellos and oboes, played over synthesiser, bass guitar and a full drum kit. Classical purists hated it. Everyone else hummed it.
They played in full period costume. On Pebble Mill they wore spooky silver fencing masks. Mostly women musicians, all looking like they had stepped out of Casanova's diary.
The cartoon videos by animator Guido Manuli threw in spaceships, tractor beams, disasters and faceless robot musicians. In one, a spaceman lifts Venice's old buildings into space to save them from the water.
Venice in Peril, that baffling cartoon, filled airtime during ITV strikes. A whole generation saw it without ever knowing who made the music.
Part two
Strip away the costumes and you find a serious composer. Gian Piero Reverberi trained in piano and composition at the Paganini Conservatory in Genoa. He wrote almost every piece himself.
He started the group in 1979 as a reaction to computer disco. His idea was simple. Bring back acoustic instruments and give young conservatoire players a real stage.
The melodies are short, bright and catchy. Most tracks run under four minutes, like pop singles. Reverberi always said his music was meant to be joyful, unlike the gloomy classical pieces of the past.
In Italy the title track became the theme for Canale 5, playing several times a day. That made them a household name almost overnight.
Never heard them? Play these three in order. If you were a kid in the 80s, the first one will hit you straight away.